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Auditions for "Crimes of the Heart”
by Beth Henley

Director: Cynthia Wilson
Tuesday, July 28, 9:00 a.m.
Performing Arts Studio, Hillside

Director Cynthia Wilson invites you to audition for the Drama Association of Rossmoor (DAOR) Naked Stage production of the Pulitzer Prize-winning play, “Crimes of the Heart,” by Beth Henley.  This audition will be held on July 28th at 9:00 a.m. in the Performing Arts Studio (PAS) at Hillside.  Possible callbacks will be on July 31st.  Rehearsals will begin August 4 and will be on Tuesdays and Fridays, with perhaps a Wednesday closer to show time.
 
“Crimes of the Heart” was a hit film in 1986, but  DAOR is doing the Broadway version with some adaptations for an older cast.  Performances will be October 16, 17, 18, at 2 p.m. in the PAS.
 
The parts that need to be cast include the three slightly crazy McGrath sisters:
 
BABE is a wild child, though past middle age, on the wacky side, high energy, impulsive and lovable, if occasionally dangerous.
LENNY is a bit of a sad sack, stuck at home caring for bossy grandpappy, with drooping dreams of a lost love, with hidden reserves of family leadership.
MEG is a ne’er-do-well who went off to Hollywood to pursue her singing career. The bad girl comes home, cracked but not broken, still sexy and alive, still smoking and drinking, still loved and knows how to love.
 
Additional characters:
 
CHICK is the nosy, self-important social-climbing cousin next door who offers her imperious opinions at every opportunity and never thinks twice about criticizing anyone.  A funny loudmouth, unaware of how insensitive she is.
DOC is a good-hearted friend of the family, an ex of Meg, who still holds a torch for her but who is now married.  A good man with a limp, who is somehow made more attractive by his old injury.
BARNETTE is a meticulous and electrically-intense lawyer called upon to defend Babe.  He has a tender, secret crush on Babe, but he is explosively determined to win his case, fighting for Babe with his own private vendetta.
 
Auditions for this Naked Stage production are open to all Rossmoor residents.  If cast, you must become a member of DAOR.  In Naked Stage performances, actors read from a script, so memorization is not required.  Anyone interested in auditioning, please email show producer Martha Hawkins at [email protected] for an audition information sheet and copies of sides (segments from the play) to perform at the audition.  Copies of the script are available to borrow.   Direct any questions to Martha at (510) 919-9101.


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2024 Naked Stage Season Information

Actors plan your year with audition opportunities in mind.  Copies of the plays are available for loan at Linda Kelp's house, 3450 Tice Creek, #7, Entry 17.  Scripts are at the front door.  Just sign them out.

Social Security by Andrew Bergman, directed by Edward Kimak
 Time Period - Contemporary - the 80s, Setting - New York City, Upper East Side 
Cast:  3 women, 3 men
Naked Stage Production:  March 15, 16, 17
Approximate rehearsal period:  Tuesdays and Fridays, February 5 - March 22
 
This hilarious Broadway comedy surrounds a married couple who are art dealers. Their domestic tranquility is shattered upon the arrival of the wife’s goody-goody nerd of a sister, her uptight CPA husband, and her archetypal Jewish mother. They are there to try to save their college-student daughter from the horrors of living only for sex. The comic sparks really begin to fly when the mother hits it off with the elderly minimalist artist who is the art dealers’ best client! 
Social Security was originally produced on Broadway by David Geffen and the Schubert Organization at the Ethel Barrymore Theatre in New York City on April 17, 1986. It was directed by Mike Nichols.

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The Skin of Our Teeth by Thornton Wilder, directed by Linda Kelp
Time Period - Contemporary, Ancient, Setting - Excelsior, New Jersey
Cast:  Mains:  3 women, 2 men and  4 actors playing various roles
Naked Stage Production:  June 21, 22, 23
Approximate rehearsal period:  Tuesdays and Fridays, May 3 - June 20

Meet George and Maggie Antrobus of Excelsior, New Jersey, a suburban, commuter-town couple (married for 5,000 years), who bear more than a casual resemblance to that first husband and wife, Adam and Eve; the two Antrobus children, Gladys (perfect in every way, of course) and Henry (who likes to throw rocks and was formerly known as Cain); and their garrulous maid, Sabina (the eternal seductress), who takes it upon herself to break out of character and interrupt the course of the drama at every opportunity. Whether he is inventing the alphabet or merely saving the world from apocalypse, George and his redoubtable family somehow manage to survive – by the skin of their teeth.
Completed by the author less than a month after the Japanese attack on Pearl Harbor on December 7, 1941, The Skin of Our Teeth (1942) broke from established theatrical conventions and walked off with the 1943 Pulitzer Prize for Drama. Combining farce, burlesque, satire, and elements of the comic strip, Thornton Wilder depicts an Everyone family as it narrowly escapes one end-of-the-world disaster after another, from the Ice Age to flood to war.  Directed by Elia Kazan.

The Clean House by Sarah Ruhl, directed by Cynthia Wilson
Time Period -  Metaphysical Contemporary, Setting - suburban Connecticut
Cast:  4 women, 1 man
Naked Stage Production:  October 18, 19, 20
Approximate rehearsal period:  Tuesdays and Fridays, September 3 - October 17

The play takes place in what the author describes as "metaphysical Connecticut," mostly in the home of a married couple who are both doctors. They have hired a housekeeper named Matilde, an aspiring comedian from Brazil who's more interested in coming up with the perfect joke than in house-cleaning. Lane, the lady of the house, has an eccentric sister named Virginia who's just nuts about house-cleaning. She and Matilde become fast friends, and Virginia takes over the cleaning while Matilde works on her jokes. Trouble comes when Lane's husband Charles reveals that he has found his soul mate in a cancer patient named Anna, on whom he has operated.  This theatrical and wildly funny play is a whimsical and poignant look at class, comedy and the true nature of love. 
The Clean House premiered at Yale Repertory Theatre on September 17, 2004 and at Lincoln Center in 2006.  The play was a finalist for the 2005 Pulitzer Prize for Drama and the 2004 Susan Smith Blackburn Prize,[1] awarded annually to the best English-language play written by a woman. 
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  • PERFORMANCES
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